I was raised on a diet of neckbones and sweet tea,
Collard greens, mac and cheese
Assembled by hands that touched death and eyes
that had seen some shit.
On the backroads of rural Alabama
where the feet of little black kids running from master,
left an imprint on that cement-like dirt,
there was history there.
It’s in my genes,
that residue that doesn’t come out in the washer
and it didn’t show up in Elementary school classes
when I’d look out the windows, through my glasses
into the whippoorwills,
each vine looking like a nameless black body,
swaying on a postcard with people in hoods pointing.
That’s the history I’m used too.
I have relatives who believe that washing machines are the devil.
I have aunties who sing sad songs with hope in their heart
because God is coming back.
Uncles, who shut themselves up in a house
with rifles, because they made comments about Abraham Lincoln on the radio.
And no nigger boy should be running around talking like that,
fucking coons.
Mumbled under his voice, I heard fucking coons.
But why couldn’t I say anything?
It’s like I got an icebox where my heart used to be
and a head that’s knocking, at my temple
The cops beating down the door to blast me,
with a message. That the man I claim to be
got an eviction notice from his spirit.
It’s gentrification.
Harlem. Post-Renaissance.
Why couldn’t I speak for them?
I was a pawn, on a chess board
who made it to the other side and turned into a noble.
Something like a Knight,
But little did I know how different I was.
Making every attempt at truth, a lighter
with no butane.
That would spark but couldn’t feel the flame because I was empty,
Broken, like that machine at the arcade
and you used your last token, Hoping
for some tickets, but you got nothing.
I couldn’t show that I was mad, cause that’s not cool
but why did I look like a chameleon?
Why did faith look like waiting?
Patiently,
For God to come alive and speak,
saying this was only a test.
a hard test, arithmetic
and the glass ceiling America placed in front of young brothers was a parabola.
I knew the formula to solve it but I had to find it in myself,
I had to find it in myself,
I had to find it in myself,
I had to find myself.
So this is me, America.
Thick skin from working in the field,
with God’s wind in my mouth, ready for a conversation.
When you ask me why I’ve called you here,
I say I’ve had a revelation
and I can’t let the history I know repeat itself anymore.
I can’t let these black kids look like the asphalt anymore,
their bodies laying there more often than their own beds.
There’s a hurricane in my heart
Cause your citizens realized that you think we’re disposable,
And we can’t even walk the streets for a bite to eat.
Now, America.
We have had good times, and it would be a crime to say that it hasn’t been fun–
but–
do you see what I did there?
It would be a crime.
So let me begin with this line,
Why are black people dying?
Why, everytime I turn on the news it’s eyewitnesses,
Blacks dead, killers victimless.
If the roles were reversed would we see life sentences?
See this is the dream of America,
that’s a reality for its mudsills.
Oh, did you forget James Henry Hammond?
Yeah, he called my folks mudsills, because it was the foundation of the country,
Slavery was the foundation of this country,
Slaves were the foundation of this country,
But why can’t their kids call this nation their country?
Why, I gotta be a refugee.
Why is Emmett Till, so real
still, waiting
with faith.
I’m just a pawn.
Waiting
For God’s wind to change you.